New Sebastian St. Cyr Audio Book: WHEN GODS DIE
Recorded Books has just released the audio version of the second book in the Sebastian St. Cyr series, WHEN GODS DIE. Once again the narrator is Davina Porter.
I know that Recorded Books has gone back and bought the rights to the earlier books they didn't produce, so they will all be available eventually. But I don't have a clue what their production schedule is. In fact, the first notice I get that one is in the works is when the cover shows up in my email inbox, usually just days before the release.
But I must say, I do like this cover.
Labels: audio books, covers, When Gods Die
The Evolution of a Cover
I'm in the process of having my website redesigned and overhauled, which means coming up with new images. Now, images for a mystery set in the Regency are tricky, largely because so many of those images are linked in the popular imagination with Jane Austen--who doesn't exactly evoke a sense of mystery, threat, and death. It occurred to me that it would be cool to use the guy from the WHY KINGS CONFESS cover, but.... (There's always a BUT.)
Legalities require me to get permission from that cover's illustrator, Gene Mollica. I was a bit nervous, but it turns out that in addition to being a fantastic artist, he's also a great guy. Not only did he give me permission, but he also sent me a HRes file of his original painting for the cover. This is something I'd never seen before, and I suspect you'll find it as fascinating as I did.
Neat, huh? Here's a closeup:
Gene also told me a few other things I didn't know, such as that he did the MERMAIDS and SERPENTS covers, too (by far my favorites, along with the original ANGELS). And he told me that for the photo shoot for the cover of WHEN FALCONS FALL they actually made
the model's costume, based on examples from old prints and paintings I've been sending them over the years. I've seen the stills from that photo shoot, but the way, and I'm happy with the new "Sebastian." (For those who missed it, the previous model joined the Navy!)
Gene tells me the photo shoots are mine to use, too, so once the new cover is available for reveal, I'll be able to show you the entire evolution of a cover, from photo shoot to painting to actual cover. It's a fascinating process.
Oh, and if you have any suggestions from my big website overhaul, I'd welcome them!
Radio Interview with John Raab of Suspense Magazine
a link to a recording of a live radio interview I did last Saturday with John Raab at Suspense Magazine. It's about 25 minutes long. Have patience because it takes a moment to load, and then begins with some rather loud music. We talk at first about Who Buries the Dead,
then move on to other things.
Spring has finally arrived in New Orleans. I'm afraid I've been playing hooky this week and neglecting poor Sebastian in favor of my garden. It's been glorious.
The WHO BURIES THE DEAD Book Tour
Ever since I was first published nearly twenty years ago, I wanted to go on a book tour. Unfortunately, book tours aren't as common as they once were; publishers have decided they're expensive and don't offer a very good return on investment. So I was stunned when my publishers offered to send me on tour for the tenth Sebastian St. Cyr book. Then I saw the schedule and I thought maybe I'd fallen into one of those "be careful what you wish for" scenarios.
Yes, it was exhausting, but it was also unbelievably exhilarating. The nice thing about going on tour for your tenth mystery as opposed to, say, your first, is that the people you're meeting already know your books. I met so many readers who love Sebastian and Hero and Gibson and Tom and Hendon and Kat as much as I do, and I can't tell you how exciting that was. I could talk about these books forever and the book tour gave me the opportunity to do juch that.
The only frustrating aspect (apart from the whole lack of sleep and mealtimes thing) was that I spent so little time in each city. I'd fly in with barely enough time to dump my bags at the hotel and get to the bookstore; have the signing; eat dinner; go to bed; get up at the crack of dawn (or before) to make it to the airport and move on to the next city. It wasn't until Seattle, the last leg of the tour, that I finally had an afternoon to play tourist. And since I hadn't been to Seattle since 1978 (yes: ouch), I loved it. (Thank you, Sabena!)
My hosts ranged from New Orleans' own Garden District Bookstore and Houston's Murder by the Book, both old friends; to the amazingly huge Powell's in Portland (it really says something about the readers of Portland that they support not one, but multiple independent bookstores of that size); to the cozy and charming specialty bookstore, Seattle Mystery Bookshop; to Poisoned Pen, which is a truly awe-inspiring operation. A huge thank you to each and every one of my readers who came out to see me and helped make the tour not just a success, but fun
And I even managed to snap a photo of Idaho's snow covered mountains and wave as I flew home.
CAUTION: There are spoilers in the comments, so if you haven't finished WHO BURIES THE DEAD, don't read them!
Labels: book tour; Who Buries the Dead; book signings
Sunlight on Ripened Grain
Indie's gone. We were hoping for weeks, maybe even months. Instead, we had hours. He's left a yawning hole in our lives and in our hearts.
Do not stand on my grave and weep;
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn's rain.
When you awaken in the morning's hush,
I am the swift uplifting rush
Of quiet birds in the circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry.
I am not there. I did not die.
by Mary Elizabeth Frye