More Audio Books!

Sorry I've been MIA for a while. Life has been aggravating this past week for reasons I won't particularize. But I do have some new audio book covers to show you. Here's the final version of the Recorded Books edition of Why Mermaids Sing:

This is actually the third version. I can show you the second version because for some reason it's up on Amazon. Needless to say, I did not like the red lipstick, and they surprised me by taking my suggestion they cut the mermaid off at the chin. Here's the original second version:

Unfortunately, I'm not allowed to show you the first version, which featured a different mermaid with a shell bra and a very prominent bellybutton. No, I'm not kidding.

Anyway, here is the cover for the upcoming Where Serpents Sleep:

I asked that they make the font of the title darker. Maybe I shouldn't have shown it yet? Oh well.

In other news, I've signed up for Bouchercon, the mystery/thriller convention that will be in New Orleans next September. If you like that sort of thing, maybe I'll see you there?

I am also chugging ahead with my plan to gradually release my Candice Proctor backlist as ebooks. I was going to release Midnight Confessions first and I have a gorgeous new cover for it, but, ahem, that has hit a snag (some of the "I won't particularize" stuff that's been affecting my blood pressure this week). But I will be going ahead with the release of Beyond Sunrise, although it will have only "Candice Proctor" on the cover rather than "C. S. Harris writing as Candice Proctor." (Yeah, you can read something between the lines there.)

And, finally, I have a new keyboard because this guy knocked a cup of coffee over on my old one and killed it. He's cranky because he's no longer allowed on my lap while I'm drinking anything at the computer and he's convinced I'm just being so mean. Which translates into, Let's bite Candy's foot. 

Hopefully next week will be better?

Bouchercon by the Bay

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I love Bouchercon! As conferences go, it's fun and low key and very different from, say, RWA National. Part of that difference comes from the mix of people. Bouchercon is a lot of writers and booksellers, editors and a few agents, a few unpublished writers, and many, many fans. RWA is all published or unpublished writers, agents and editors, with the result that there is more of an air of desperation and less a spirit of fun. Of course, the fact that RWA is virtually all women and many Bouchercon attendees are male also makes a difference. Ahem.

My experience at this Bouchercon was very much in contrast to Baltimore's Bouchercon, where I was staying in the hotel and didn't know anyone, which forced me to get out and network (something I don't do well). This time I was staying with my sister (author Penelope Williamson, who lives in Mill Valley) and driving in every day with Tracy Grant. Both of them have been in this writing business even longer than I have, so along with the experience of the conference I was also able to spend hours and hours dissecting both the conference and publishing in general.

I'll talk more about the individual events in a later post, as I thought I'd just give an overview here. Thursday began with some great panels, followed by the opening ceremony that evening, after which Harper Collins hosted a reception where some fifteen or twenty authors were on hand to sign and give away copies of their books. Danielle, my publicist, had set up my table right next to the bar, so I got a lot of traffic and ran out of books fairly quickly. (I snapped these pics with my phone before the function actually began; I have more photos that I'll post once I get them off my camera.) The huge poster Harper Collins provided was gorgeous, so hopefully even people who didn't get a copy will remember the cover.



Friday came more panels, and then the NAL cocktail party followed by the famous Lee Child "Reacher Party." My panel was on Saturday, followed by a booksigning (where people actually bought my books), and then the Harper Collins party followed by the Touchstone party, which I also attended since Catherine Coulter was riding in from Mill Valley with us that day. The weather was glorious until the end, when the fog came rolling in and this little New Orleans hothouse flower froze to death.



I brought home all kinds of gossip and lots of ideas and thoughts to sort through, and what feels like an incipient case of pneumonia. More later!

Bouchercon 2010

Bouchercon is the annual world mystery convention. This year’s Bouchercon will be held next week in San Francisco --Thursday, Friday and Saturday—at the Hyatt Regency, 5 Embarcadero Center. Attending will be an impressive array of mystery writers, from John Connelly and Martin Cruz Smith to Rhys Bowen and Laurie King.

I’ll be on a panel on Saturday at 3.00 p.m. with Pat Canterbury, John Lutz, Katia Lief, and Matthew Schoonover. The title of our panel is “Alien Country,” and I think it’s about crossing genres.

Immediately after the panel at 4:00 p.m. I’ll be holding a book signing for both my Sebastian mysteries and the contemporary thrillers (The Archangel Project and The Solomon Effect), all of which should be available from booksellers at the event. I’ll also be participating in the Harper Collins book signing to be held Thursday night at 7 p.m. in the Grand Ballroom of the Hyatt, at which time I will have fifty advance readers copies of The Babylonian Codex to give away free on a first come, first serve basis.

You can read more about the conference here (and if their site looks vaguely familiar, it’s because it was done by the same brilliant designer responsible for both of my websites). I attended Bouchercon two years ago at Baltimore and had a wonderful time. If you’re in the area, hope to see you there!

Back from Bouchercon

Well, I’m back from Baltimore, and exhausted. This was my first Bouchercon, and it was a heady experience. I met Lyssa, my Harper Collins author, for the first time, and so many authors and wonderful, enthusiastic fans of mysteries that my brain is still spinning.

Writing full time is such a quiet, solitary endeavor that these eighteen-hour days spent around people and being bombarded by excessive noise has left me in sensory overload shock. I’m hoarse from shouting to be heard over the roar in the bar, and I can only wonder at my fellow authors who spent those hours in the bar drinking adult beverages rather than sipping iced tea. How do they do it?

I’ve come home with some great tales of bizarre behavior, none of which I have any intention up putting up on the Internet (sorry, guys!). What is it about conventions that leads some people to indulge in stupid antics? Or do these people behave this way all the time? One would think that, eventually, the Darwin Law would take them out of circulation.

All in all, Bouchercon provided me with much food for thought, which I’ll be pondering over the next few days. After I get some sleep and this headache goes away.

Charmed to Death

I hope this is a case of better late than never: I will be Baltimore, Maryland, attending this year's Bouchercon ("Charmed to Death") from Wednesday, 8 October to Sunday, 12 October. For those of you not familiar with Bouchercon, it's the big American mystery convention, and is being held at the Baltimore Sheraton City Center Hotel, 101 West Fayette Street. Because I was so slow getting my act together, I'm only on one panel--Thursday, at 10:00am, in room International E. The panel is "Let's Work Together" (i.e., writing with a partner), and my fellow panel members will be Cara Black, Meredith Anthony, Donald and Renee Bain, Larry Light, and Michael Stanley. There will be a book signing in the Carroll Room immediately following the panel.

So, if you're in the area, I hope to see you there!